The world behind What Grief Could Not Take

Welcome to Swasti

A walk through the house Roopa built room by room, corner by corner, out of everything she was not willing to lose.

Every room in this tour is real. This is Swasti, the home Roopa built from the ashes of her own dreams, after years of loss. Not one loss. Her firstborn’s heart. Her father. A marriage. A financial free fall.

“I let go of things when it’s time, when I’ve stopped being afraid, when I can no longer go on with a situation as it is. I did it with my firstborn, when his heart no longer worked. I did it with a marriage, when it no longer worked. This house was simply one more entry on that list.”

It is also where she finally stopped running from what was left, and built with it instead.

From the chapter Brick by Brick, My Home at Last
Exposed brick staircase, bold and industrial
Chapter, Brick by Brick

Swasti, Masculine and Feminine

“I had an idea: masculine structure, feminine finishings, bold bones, soft layers.” Metal windows not wood. Cement roof not plastered. Exposed brick. What works, not what impresses.

“This IS the masculine I had imagined. Industrial. Unadorned. Honest. Strong.”

The library, with two chandeliers and the fuchsia armchair
Chapter, The Fuchsia Chair

The Library

“Now, I am in my library, sunk into this in-your-face fuchsia armchair. The colour screams, on purpose. Bold, unapologetic, a middle finger disguised as decor.” Emerald velvet curtains, gold-framed mirrors catching light on brick, industrial bones draped in jewels. Books lined like witnesses to my ever-evolving identity. This room is built for contemplation. My sanctuary.

This is the room What Grief Could Not Take came from. Read the book →

The workspace desk under hanging plants
Chapter, Emerald and Gold

The Workspace

A desk designed by the father of her children, repainted emerald with gold lining, moved room to room until it found this one, buried under trailing pothos and a birdcage that holds nothing but light.

Every morning, first

The Puja Room

Diyas lit before anything else begins. Prayer, then the day, then everyone and everything it holds.

Where everyone gathers

The Living Room

The living room
Vintage console with peacock feathers
Another corner for another mood
The Reading Nook
A purple rocking chair by the window, a teal throw over the ottoman.
Chapter, The Garden Corner

The Garden

Broken branches propped in old paint tins, a plumbing pipe holding up the vines. She calls it her kaleidoscopic crap corner, and means it as a compliment.

“Constraint had shown me that creativity doesn’t suffer from lack of money, only lack of imagination.”

The kaleidoscopic crap corner, as it first looked
Yellow bistro chairs corner
The same corner, years later
The pergola in bloom
Yellow and pink flowers over the terrace
Chapter, The Bench

The Bench

Built by her friend Bharati, it wandered the house for nearly three years before it found its corner on the terrace.

Chapter, Kaleidoscopic Crap

The Swing

Old doors nobody wanted, from her dance teacher Praveen, painted bold pink and hung with chains.

Stitched by hand, lit every evening
The Blue Turban Lamp

“Prayer, light, kids, garden. This rhythm is how I live here.”

“Built from the ashes of perfect dreams. But mine. All mine.
Not despite the ashes. But because of them.”

Growth doesn’t come from going somewhere new. It comes from becoming someone new where you are.

Every corner here is in the book. This is only the doorway.
Read Roopa’s Full Story →